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Tuesday, September 30, 2008
Le Projet Triangle by Herzog & de Meuron
On the scale of the Porte de Versailles site, the project will also play a significant role in the reorganisation of flows and perception of urban space. The Parc des Expositions site currently forms a break between the Haussmanian fabric of the15th district of Paris and the communities of Issy-les-Moulineaux and Vanves, emphasised by the visual impact of the peripheral boulevard.
The construction of an ambitious building on the Porte de Versailles site will mark its opening and restore the historical axis formed by the rue de Vaugirard and avenue Ernest Renan.
The square of the Porte de Versailles is a complex space in its current configuration. Its initial semi-circular organisation is difficult to interpret given the many visual impediments and lack of clearly identified public spaces between the Parc des Expositions and the buildings opposite.
Building on the square itself would intensify this problem of perception: our project therefore proposes to free this space by positioning itself along the avenue Ernest Renan.
This move offers three major advantages :
* it permits the creation of a public square between the boulevard Victor and Hall 1 of the Parc des Expositions, by reorganising logistic flows.
* It creates a strong link between what are known as the “petit” and “grand” parcs, the two parts of the Parc des Expositions.
* It marks the Paris / Issy-les-Moulineaux axis, allowing the urban space to cross the peripheral boulevard by activating the entire facade of the avenue Ernest Renan.
Le Projet Triangle by Herzog & de Meuron
The construction of an ambitious building on the Porte de Versailles site will mark its opening and restore the historical axis formed by the rue de Vaugirard and avenue Ernest Renan.
The square of the Porte de Versailles is a complex space in its current configuration. Its initial semi-circular organisation is difficult to interpret given the many visual impediments and lack of clearly identified public spaces between the Parc des Expositions and the buildings opposite.
Building on the square itself would intensify this problem of perception: our project therefore proposes to free this space by positioning itself along the avenue Ernest Renan.
This move offers three major advantages :
* it permits the creation of a public square between the boulevard Victor and Hall 1 of the Parc des Expositions, by reorganising logistic flows.
* It creates a strong link between what are known as the “petit” and “grand” parcs, the two parts of the Parc des Expositions.
* It marks the Paris / Issy-les-Moulineaux axis, allowing the urban space to cross the peripheral boulevard by activating the entire facade of the avenue Ernest Renan.
Le Projet Triangle by Herzog & de Meuron
Fanny Bank
"Fanny” bank makes saving money a real GAS!
Just drop a coin in the strategically-placed slot of this tushy-shaped bank and listen as it lets out the loudest rip you've ever heard.
Add more loot, hear more toot!
Up to six flatulent sound effects, guaranteed to make you laugh your “assets” off!
Coins remove easily when bank is full.
Requires 3 AA batteries (not included).
Fanny Bank
Just drop a coin in the strategically-placed slot of this tushy-shaped bank and listen as it lets out the loudest rip you've ever heard.
Add more loot, hear more toot!
Up to six flatulent sound effects, guaranteed to make you laugh your “assets” off!
Coins remove easily when bank is full.
Requires 3 AA batteries (not included).
Fanny Bank
Monday, September 29, 2008
Lego: Periodic table
Agency: FCB Johannesburg, South Africa
Creative Director: Gerhard Myburgh, Cathrine thompson, Brett Morris
Art director: Lance Vining
Copywriter: Mimim Cooper, James Dodd
Illustrator, Photographer or other additional credits: David Prior
Lego: Periodic table
Creative Director: Gerhard Myburgh, Cathrine thompson, Brett Morris
Art director: Lance Vining
Copywriter: Mimim Cooper, James Dodd
Illustrator, Photographer or other additional credits: David Prior
Lego: Periodic table
KarstadtQuelle Insurance: Bowling Lane
Advertising Agency: Jung von Matt, Hamburg, Germany
Creative Directors: Deneke von Weltzien, Thimoteus Wagner, Fabian Frese
Account Directors: Anke Borchers, Jan Knauss
Copywriters: Thies Schuster, Max Biedermann
KarstadtQuelle Insurance: Bowling Lane
Creative Directors: Deneke von Weltzien, Thimoteus Wagner, Fabian Frese
Account Directors: Anke Borchers, Jan Knauss
Copywriters: Thies Schuster, Max Biedermann
KarstadtQuelle Insurance: Bowling Lane
HP Trade In: Bookshelf
Agency: Publicis Mojo, Australia
Creative Director: Darren Spiller
Art Director: Tim Forte
Copywriter: Tim Forte
Photographer: Garth Oriander
HP Trade In: Bookshelf
Creative Director: Darren Spiller
Art Director: Tim Forte
Copywriter: Tim Forte
Photographer: Garth Oriander
HP Trade In: Bookshelf
Sunday, September 28, 2008
Milenio Diario: Schwarzenegger
Agency: Olabuenaga Chemistri, Mexico
Executive Creative Director: Ana Olabuenaga, Jorge Cuchí
Creative Director: Pablo Ferrari
Art director: Héctor Colin, Iliana Solís, Gert Kiebooms
Copywriter: Miguel Rocha, Pablo Ferrari
Illustrator, Photographer or other additional credits: Stock, Héctor Colín
Milenio Diario: Schwarzenegger
Executive Creative Director: Ana Olabuenaga, Jorge Cuchí
Creative Director: Pablo Ferrari
Art director: Héctor Colin, Iliana Solís, Gert Kiebooms
Copywriter: Miguel Rocha, Pablo Ferrari
Illustrator, Photographer or other additional credits: Stock, Héctor Colín
Milenio Diario: Schwarzenegger
Milenio Diario: Bush
Agency: Olabuenaga Chemistri, Mexico
Executive Creative Director: Ana Olabuenaga, Jorge Cuchí
Creative Director: Pablo Ferrari
Art director: Héctor Colin, Iliana Solís, Gert Kiebooms
Copywriter: Miguel Rocha, Pablo Ferrari
Illustrator, Photographer or other additional credits: Stock, Héctor Colín
Milenio Diario: Bush
Executive Creative Director: Ana Olabuenaga, Jorge Cuchí
Creative Director: Pablo Ferrari
Art director: Héctor Colin, Iliana Solís, Gert Kiebooms
Copywriter: Miguel Rocha, Pablo Ferrari
Illustrator, Photographer or other additional credits: Stock, Héctor Colín
Milenio Diario: Bush
Lego: Builders of tomorrow
Based on the original photograph titled 'Lunch Atop a Skyscraper' by Charles Ebbets, 1932
Advertising Agency: Jung von Matt, Hamburg, Germany
Creative Director: Arno Lindemann, Bernhard Lukas
Copywriter: Daniel Schaefer
Art Director: Szymon Rose
Photographer: Achim Lippoth
Account Supervisor: Katharina Schablitzki
Advertiser's Supervisor: Katharina Sutch
Art Buyer: Martina Traut
Lego: Builders of tomorrow
Advertising Agency: Jung von Matt, Hamburg, Germany
Creative Director: Arno Lindemann, Bernhard Lukas
Copywriter: Daniel Schaefer
Art Director: Szymon Rose
Photographer: Achim Lippoth
Account Supervisor: Katharina Schablitzki
Advertiser's Supervisor: Katharina Sutch
Art Buyer: Martina Traut
Lego: Builders of tomorrow
Schuhkult Shoe Shop: Try it on
Agency: LangGysiKnoll, Berne, Switzerland
Creative Director: Daniela Jakab
Art director: Stephan Wittwer
Copywriter: Lukas Schmid
Photographer: Guy Jost
Schuhkult Shoe Shop: Try it on
Creative Director: Daniela Jakab
Art director: Stephan Wittwer
Copywriter: Lukas Schmid
Photographer: Guy Jost
Schuhkult Shoe Shop: Try it on
Budapest Sun ad: Matrix pills
Agency: Ogilvy & Mather, Budapest, Hungary
Creative Director: Dalbir Singh
Art director/Copy Writer: Hilka Bekefi, Dalbir Singh
Budapest Sun ad: Matrix pills
Creative Director: Dalbir Singh
Art director/Copy Writer: Hilka Bekefi, Dalbir Singh
Budapest Sun ad: Matrix pills
Renault megane GT: Speedway
Megane GT 165HP
Agency: Publicis Conseil, France
Creative Director: Olivier Altmann, Hervé Plumet
Art director: Benoit Blumberger
Copywriter: Thibaut Froment
Photographer: Michael Lewis
Renault megane GT: Speedway
Agency: Publicis Conseil, France
Creative Director: Olivier Altmann, Hervé Plumet
Art director: Benoit Blumberger
Copywriter: Thibaut Froment
Photographer: Michael Lewis
Renault megane GT: Speedway
WWF: Eye chart one
Agency: CC&E, Guangzhou, China
Creative Director: Daming Zheng, Leo Zou
Art director: Liu Yiping
Copywriter: Daming Zheng, Miu Miu
WWF: Eye chart one
Creative Director: Daming Zheng, Leo Zou
Art director: Liu Yiping
Copywriter: Daming Zheng, Miu Miu
WWF: Eye chart one
Moog Music: Bubble gum
moog synths & effects
Any sound is possible
Agency: Carmichael Lynch, USA
Executive Creative Director: Andrew Clarke
Writer: Ryan Inda
Art Director: Jay Morrison
Art Producer: Sandy Boss Febbo
Production: Charlie Wolfe
Photography: Keith Hall / Firstbase
Moog Music: Bubble gum
Any sound is possible
Agency: Carmichael Lynch, USA
Executive Creative Director: Andrew Clarke
Writer: Ryan Inda
Art Director: Jay Morrison
Art Producer: Sandy Boss Febbo
Production: Charlie Wolfe
Photography: Keith Hall / Firstbase
Moog Music: Bubble gum
Ebay: Moved to Ebay stickers
Agency: Mortierbrigade, Brussels, Belgium
Creative Director: Jens Mortier/Joost Berends/Philippe Deceuster
Copywriter: Joost Berends
Art Director: Philippe Deceuster
Ebay: Moved to Ebay stickers
Creative Director: Jens Mortier/Joost Berends/Philippe Deceuster
Copywriter: Joost Berends
Art Director: Philippe Deceuster
Ebay: Moved to Ebay stickers
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